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MARSEN JULES — Golden
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"Den Sommer begrt das Genesungswerk friedlich mit diesem Album von Marsen Jules. Auf GOLDEN treffen sich Gitarre, Piano und Elektronik zu einer harmonischen mnage trois. Gelegentlich untersttzt von Ziehharmonika, Flte und Geige finden sie sich nach einer Winterwanderung vor dem Kamin ein. Leise knisternd entzndet sich ein Feuer und vertreibt die Klte aus unseren Gehrgngen. Akustikgitarre und Piano zeichnen die melodischen Linien, whrend sich die Elektronik einfhlend der Klangfarbe des Interieurs annimmt. GOLDEN ist wahrlich ein treffender Titel , funkeln und glimmen doch bei allen sieben Stcken die Klnge, ohne ihre Hrer je zu blenden. Sehr intim, sehr nah, zugleich klar und transparent taucht die Schnheit der Instrumente den Sommer in ein neues Licht." [label info]
Electronica-Ambience reminding at times of newer ULTRA MILKMAIDS or a more poppy WILLIAM BASINSKI...
"Close followers of these pages will already be intimately familiar with the work of Marsen Jules, responsible as he is for two of the loveliest albums we've had the pleasure of stocking these last few years. His debut album "Herbstlaub" strolled into an autumnal tundra of layered strings and neo-classical arrangements that best brought to mind the work of Arvo Part, attaining both critical and commercial acclaim from all quarters of the music scene. His dense follow-up "Les Fleurs" approached similar terrain but with a more colourful sound-pallette, creating an aural bloom of dense orchestral reductions that kept the minimal composure intact despite the rays of aural sunlight allowed to seep into Jules' unique, inspiring studio. This long awaited new album "Golden" takes little time in declaring its place as a worthy successor to both its predecessors - it's a breathtaking collection of pieces that begin from the same neo-classical starting point and unfurl in different directions, taking in acoustic guitar, barely audible electronic pulses, dense orchestral reductions and heavy filtering along the way. You'd find it difficult to get past the album's incredible opening track "Birkengefluster" without finding yourself incredibly moved by what's in front of you - another shimmering weave of elongated midnight strings and subliminal melodies consorting to force you to abandon all resistance in the face of its relentless beauty. By the time second track "Wharend" wheezes into life with its prepared piano passages and other-worldly washes of sound, you'll be unable to acknowledge anything else in your surroundings bar the music. Marsen Jules is just one of those rare artists who manages to achieve so much with such limited material at his disposal - it's both the simplicity and timeless quality of the 7 long tracks here that make "Golden" not only one of the most beautiful albums you'll hear this summer, but also one that you'll find hard to let go of come autumn. Sublime music - essential listening.'' [Boomkat]
www.genesungswerk.de
Electronica-Ambience reminding at times of newer ULTRA MILKMAIDS or a more poppy WILLIAM BASINSKI...
"Close followers of these pages will already be intimately familiar with the work of Marsen Jules, responsible as he is for two of the loveliest albums we've had the pleasure of stocking these last few years. His debut album "Herbstlaub" strolled into an autumnal tundra of layered strings and neo-classical arrangements that best brought to mind the work of Arvo Part, attaining both critical and commercial acclaim from all quarters of the music scene. His dense follow-up "Les Fleurs" approached similar terrain but with a more colourful sound-pallette, creating an aural bloom of dense orchestral reductions that kept the minimal composure intact despite the rays of aural sunlight allowed to seep into Jules' unique, inspiring studio. This long awaited new album "Golden" takes little time in declaring its place as a worthy successor to both its predecessors - it's a breathtaking collection of pieces that begin from the same neo-classical starting point and unfurl in different directions, taking in acoustic guitar, barely audible electronic pulses, dense orchestral reductions and heavy filtering along the way. You'd find it difficult to get past the album's incredible opening track "Birkengefluster" without finding yourself incredibly moved by what's in front of you - another shimmering weave of elongated midnight strings and subliminal melodies consorting to force you to abandon all resistance in the face of its relentless beauty. By the time second track "Wharend" wheezes into life with its prepared piano passages and other-worldly washes of sound, you'll be unable to acknowledge anything else in your surroundings bar the music. Marsen Jules is just one of those rare artists who manages to achieve so much with such limited material at his disposal - it's both the simplicity and timeless quality of the 7 long tracks here that make "Golden" not only one of the most beautiful albums you'll hear this summer, but also one that you'll find hard to let go of come autumn. Sublime music - essential listening.'' [Boomkat]
www.genesungswerk.de