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BAYER, KONRAD — Dreams of leaving
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"Sanft schlngeln sich subtile Sounds, wrmen zrtlich ohne zu erdrcken, sind stets prsent ohne jemals zu penetrieren. Das Weite dieser Verffentlichung, das Nimmermde gleicht einem wrmenden Hndedruck mit Fremden, welche Freunde werden knnen." [Sebastian Lobstedt / Equinox]
Twelve tracks between digital folk, field recording and escapism. track 2, 3, 8, and 12 were created in cooperation with the norwegian musician pal asle pettersen. 'dreams of leaving' is an album for winter times, but only occasionally icy, most of the time quite the opposite. [label info]
.....Bayer is a boy armed with a laptop, feeding field recordings and samples of classical music to the machine, leaves it boiling for some time and serves twelve tracks of winter music. It's cold outside, but inside Bayer's music is like a warm fire. In each of the twelve tracks, Bayer displays a love for ambient, a very tiny bit of techno music and just a little bit more of clicks and cuts. Occassionally a small melody leaks through the rain of software synthesizers, like in 'Aspertam', which even has a sampled guitar or the christmas like tune 'It Was When'. This is not the sort of music that goes for the trophee of 'musical innovation 2003', but nevertheless a nice winter's journey in music.[FdW/Vital Weekly]
www.genesungswerk.de
Twelve tracks between digital folk, field recording and escapism. track 2, 3, 8, and 12 were created in cooperation with the norwegian musician pal asle pettersen. 'dreams of leaving' is an album for winter times, but only occasionally icy, most of the time quite the opposite. [label info]
.....Bayer is a boy armed with a laptop, feeding field recordings and samples of classical music to the machine, leaves it boiling for some time and serves twelve tracks of winter music. It's cold outside, but inside Bayer's music is like a warm fire. In each of the twelve tracks, Bayer displays a love for ambient, a very tiny bit of techno music and just a little bit more of clicks and cuts. Occassionally a small melody leaks through the rain of software synthesizers, like in 'Aspertam', which even has a sampled guitar or the christmas like tune 'It Was When'. This is not the sort of music that goes for the trophee of 'musical innovation 2003', but nevertheless a nice winter's journey in music.[FdW/Vital Weekly]
www.genesungswerk.de