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NORTHAM, MICHAEL [MNORTHAM] — Molecular knot phase one
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Ein polyphoner Wahnsinns-Drone erfreut uns auf dieser wunderschn gestalteten und verpackten 5 mCD, ein wahres Meer aus Klngen verbirgt sich hierin..... am Ende scheint sich alles in hellem Licht & reinen Schwingungen aufzulsen......20 min one tracker... TIP !
'A massively layered sound work that evolved from a live percussive session with Seth Nehil on a variety of zithers and objects from 1999 at the Mizpah chapel, Portland, Oregon.' 'The inspiration to make the 'molecular knot phase' work comes from readings of Rupert Sheldrake. His example of protein molecular folding used to explain the possible existance of morphic fields was for me also fascinating possible explanation of how I consider the construction of my sound work.
This 'molecular' model pushed me to take on what I considered 'normal' musical morphologies and via my personal system of sound 'composting' arrive at a completely new sound where the overtly musical form vanishes into a deeply folded sonic space. For this 'phase' I have used percussive sources created by Seth and myself.' [label info / M.Northam]
'A massively layered sound work that evolved from a live percussive session with Seth Nehil on a variety of zithers and objects from 1999 at the Mizpah chapel, Portland, Oregon.' 'The inspiration to make the 'molecular knot phase' work comes from readings of Rupert Sheldrake. His example of protein molecular folding used to explain the possible existance of morphic fields was for me also fascinating possible explanation of how I consider the construction of my sound work.
This 'molecular' model pushed me to take on what I considered 'normal' musical morphologies and via my personal system of sound 'composting' arrive at a completely new sound where the overtly musical form vanishes into a deeply folded sonic space. For this 'phase' I have used percussive sources created by Seth and myself.' [label info / M.Northam]