BOLTON, WIL — Inscriptions
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Inscriptions' is an album inspired by the melancholy romance of autumn, the reflection of leaves in the rippling surface of a lake, crumbling architectural facades, and faded ink scripts on parchment.
The album began with a collection of environmental sounds I recorded in Tallinn, Estonia back in the autumn of 2011, during a residency at the Estonian Artists' Association. These field recordings focus in on the quiet, everyday sounds of streets, parks, a lake and a town square.
I lived with these sounds for some time, before working on the album. In spring 2013, I began to record the instrumental sounds. I started working with loops I lifted from the quietest sections of old dusty charity shop records - the sounds of piano, strings and harp, half-buried in hiss and crackle. I re-pitched, stretched, edited and processed these loops with guitar pedals and laptop effects. Then over this bed of loops, I recorded layers of digitally treated instrumental parts, played on acoustic guitar, piano and analogue and digital synths. I finished mixing the tracks in autumn 2013.
Written, produced and mastered by Wil Bolton
Curated by Bartosz Dziadosz (Pleq)
Layout design by Dmitry Taldykin & Ekaterina Plushbearcat
Texture images by Evelyn Flint / Daydreaming Images and fotologic
https://dronarivm.bandcamp.com/album/inscriptions
The album began with a collection of environmental sounds I recorded in Tallinn, Estonia back in the autumn of 2011, during a residency at the Estonian Artists' Association. These field recordings focus in on the quiet, everyday sounds of streets, parks, a lake and a town square.
I lived with these sounds for some time, before working on the album. In spring 2013, I began to record the instrumental sounds. I started working with loops I lifted from the quietest sections of old dusty charity shop records - the sounds of piano, strings and harp, half-buried in hiss and crackle. I re-pitched, stretched, edited and processed these loops with guitar pedals and laptop effects. Then over this bed of loops, I recorded layers of digitally treated instrumental parts, played on acoustic guitar, piano and analogue and digital synths. I finished mixing the tracks in autumn 2013.
Written, produced and mastered by Wil Bolton
Curated by Bartosz Dziadosz (Pleq)
Layout design by Dmitry Taldykin & Ekaterina Plushbearcat
Texture images by Evelyn Flint / Daydreaming Images and fotologic
https://dronarivm.bandcamp.com/album/inscriptions