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ZACHARY, PAUL - A Meditation on Discord

Format: CD Label & Cat.Number: Touch - TONE 67 Release Year: 2019 Note: first full album by this violinist from L.A., three long pieces recorded partly with open tuning and in improvisation, - "This performance was both a premonition of night and an astral projection towards the clouds crawling towards the festival grounds, catalyzed by an instrument resonating with the frequencies of the earth." - one piece is a score for an abstract film, "a modern trance film"... a discovery for friends of minimal instrumental drones, comes w. oversized digipak Price (incl. 19% VAT): €13.00 More Info Premonition was recorded live at Desert Daze, Oct 12th 2018. With thanks to Cris Cichocki. Slow Ascent was recorded by Mike Harding at Touch presents… Live at Human Resources, Feb 23rd 2018. Remastered by Simon Scott. A Person with Feelings; a short film by Tanner Smith. credits released February 13, 2019 All tracks written by Zachary Paul (violin & electronics) https://zacharypaulreleases.bandcamp.com/album/a-meditation-on-discord https://touch33.net/catalogue/tone-67-zachary-paul-a-meditation-on-discord.html "For Touch, Zachary Paul proves one human being alone on stage with a violin can still conjure up a whole world’ by Robert Barry: In 1968, Bruce Nauman tuned his violin to D-E-A-D. Fifty years later, and somewhat less portentously, Zachary Paul, appearing on stage at last year’s Desert Daze Festival in California, tuned his to G-D-G-D. The results are hardly less minimal and hypnotic but certainly more sensitively played. The Californian composer-improviser’s first solo album under his own name, for Touch, starts by erecting a dense fog of swirling harmonics, building up long loops of heady drones in uncertain, shifting layers. It’s just one man on a stage, a single violin and some electronics, but it conjures up a whole world in short order. Fans of Tony Conrad’s Early Minimalism project and the Theatre of Eternal Music will recognise Paul’s penchant for long tones and the swell of tightly packed resonant frequencies. This is music to swim in and to feel oneself swum through by. That first track, ‘Premonition’, improvised live at Desert Daze, lasts a cool half hour and probably contains less informatio , in the strict Claude Shannon sense of the term, than most three minute pop songs. That’s hardly the point, of course. ‘Premonition’ could last three minutes or it could last three days or three weeks. It is not the journey but the landscape. Something in the timbre of the second track ‘Slow Ascent’ feels almost old time-y to these ears. Speed it up a few hundred percent and it could almost be bluegrass. As it is, it would sit comfortably flitting amongst dappled light in one of the dreamier sequences in Andrew Dominik’s (2007) film, The Assassination of Jesse James by the Coward Robert Ford. Final track, ‘A Person with Feelings’ actually is a film soundtrack, though not to anything so mainstream as a Brad Pitt movie. Paul himself describes it as a “modern trance” film and it’s here that the electronics take precedence over the violin, resulting in something a little gloopy for my taste. He’s generally a lot more inclined towards time-based effects like reverb and delay than his east coast forebears from the 50s and 60s, tending to smooth off his own rough edges and mellow his own twists and turns. This may disappoint the minimalist purists, but it certainly makes for a sweeter listening experience." [The Quietus]