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RLW - Satanic Inventions

Format: CD
Label & Cat.Number: Black Rose Rec. BRV 22-1021
Release Year: 2022
Note: This album is the result of Ralf Wehowskys (aka rlw) critical examination of COVID-19 as a cultural phenomenon and a comparison to the black plague of the Middle Ages: "Denial of reality, conspiracy theories, searching for scapegoats, etc." = a true festival or irrationalism, telling us more about the human mental state than about the pandemic. Condensed by rlw into 15 tracks, a challenging journey of heavy de-constructions, trans-morphed drones, and treated source sounds = surrealistic musique concrete!
Price (incl. 19% VAT): €13.00

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!!! Limited to 200 copies only !!! 51+ min. playtime

October 2022 PRESS RELEASE

Artist: rlw (Ralf Wehowsky)
Title: Satanic Inventions
Track Titles:
1. Early Symptoms
2. Normality, Lost # 1
3. Overworn With Watching # 1
4. Fever Glazed Thine Ears # 1
5. Fever Glazed Thine Ears # 2
6. Normality, Lost # 2
7. Fever Glazed Thine Ears # 3
8. Overworn With Watching # 2
9. Normality, Lost # 3
10. Overworn With Watching # 3
11. Overworn With Watching # 4
12. Normality, Lost # 4
13. Fever Glazed Thine Ears # 4
14. Overworn With Watching # 5
15. Out Of Joint
Format: CD
Cat no: BRCD 22-1021
Release Date: October 2022

Black Rose Recordings are proud to present the stunning new solo release by Ralf Wehowsky. He is currently one of the most respected electronic composers of our day. With this release his starting point is the comparison of the black plague and covid-19 as there are some astonishingsimilarities ofhow people dealt with the diseases. Denial of reality, conspiracy theories, searching for scapegoats, etc: Surely satanic inventions are the source of all calamities? Extracts from documentary recordings and a few fragments of ars nova/subtilior compositions have been transformed, extended, fragmented and re-contextualised, from which the 15 pieces of this release are built.

Ralf Wehowsky was one of the founder members of the seminal German group P16.D4 and the label Selektion whose ground-breaking releases influenced many working in todays experimental music scene. Previous releases have seen him collaborate with such well known and diverse artists such as Merzbow, Bernhard Guenter, Jim ORourke, Achim Wollscheid and Lionel Marchetti. His music is impossible to pigeonhole into one simple bracket. It is neither industrial or musique concrete, nor computer music nor improvisation.

RLW's work moves on the edge of musique concrete, but never looses it's touch with industrial music on the one hand and with microsound on the other. But it defies these categories and can perhaps only be classified as RLWmusic. Great work! [Vital 584, The Netherlands]

truly outstanding [www.chaindlk.com]

"There have been many documentations on differences and similarities of the pandemics, which plagued mankind over the last centuries and millennia. Comparing the black plague and covid-19 there are - besides the obvious differences (more victims in absolute numbers
because of increasing overpopulation, decreasing number of victims in relative numbers because of the evolution of scientific knowledge) - astonishing similarities how people dealt with the diseases. Denial of reality, conspiracy theories, searching for scapegoats: Surely satanic inventions, spread by elites, papists, jews, communists, etc, are the source of all calamities? Human stupidity never should be underestimated. For tunately, history teaches that the misery ends
someday, even if the pandemic meets with war, famine etc. Amidst similarities new powers do grow. In the late 14th century ars subtilior must be pointed out. Liberation from religious themes, breaking open
rhythm, introducing bizarre chromatic passages, odd dissonances, etc.
Therefore, it seemed natural to combine documentations of actual madness with songs from that past. Some short extracts from documentary recordings and a few fragments of ars nova/subtilior compositions have been transfor med, extended, fragmented and recontextualised, from which the 15 pieces of this release are built.
Recorded from April 2021 to March 2022, Eggenstein, Germany" [liner notes]

"Seeing such a political statement on an RLW CD is something I don't recall seeing before. It is about the pandemic and the conspiracy theories that spawned, which I (too) believe is the true disease of our times. "I can read", usually means, "I like to cherry-pick popular notions", and "science is an opinion" is usually said by someone who has no clue as to what science is. Or, as I challenged someone: "How do you prove that all swans are white" to which I got the answer ", by killing all black ones", which seemed proof that not all swans are white. RLW says that all misery end one day, and something will grow. In the 14th century, Ars subtiloir (subtler art) became a musical style. It was rhythmic and notional, more complex. The end of the plague (well..) ended in something new. RLW uses music recordings from that time and short extracts from documentary recordings. Not that you easily recognize any of this in the fifteen pieces of music. Sure, some of this finds origins in voice material, and a word here or there is recognized, but who or what remains a mystery. The abstraction level is very high, as with much of RLW's music. He applies a collage-like approach to his music. A surprising element is the use of turntable/vinyl, which I haven't heard from him in some time. RLW's music is of a different complexity than the original Ars subtiloir, so I assume (not being an expert here), that he applies his musique concrte techniques to the music. Editing, stretching, granular synthesis and whatever else there is are as strong as any other RLW record. One thought I had with hearing these voices bending and twisting; maybe they sound like shapeshifting alien reptiles? Having read most of David Icke's books (to be found in a folder on my hard drive labelled 'humour'), there must be a place here for the sounds of reptiles. Throughout, there is some excellent, imaginative music here. I would say that even without the backstory, this is still a great release; it can be enjoyed equally."[FdW/Vital Weekly]