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CASTRUP, HANS / STEFFAN DE TURCK / BOBAN RISTEVSKI / GRODOCK — Thing
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"In 2022, attenuation circuit starts a new series of four-way split albums called THING. The aim is to provide a medium for exchange and presentation of a great variety of artists. As each artist spreads the copies to their network, listeners also get to know the other artists featured on the same disc. The title references the fact that the CDs are physical objects things! but also refers to the 'thing' or 'ding' in old Norse and other Germanic languages, which designates the place of a popular assembly or the assembly itself and thus alludes to the 'meeting-place' character of the albums on (or around) which the four artists and their audiences meet, if only virtually.
The artists featured on the third instalment of the THING series hail from Germany, the Netherlands, and Macedonia. Hans Castrup and Steffan de Turck (also known under his Staplerfahrer moniker) create pieces of a rather collage-like nature, including many quasi-referential sounds which seem to tell a story but one that retains a large degree of mystery. It might be called 'musique anecdotique', to borrow Luc Ferrari's term, but listeners are invited to find out their own punchlines. In the second half of the album, almost as if it were a B-side, Boban Ristevski and Grodock, who is also active as label head of Grubenwehr Freiburg (which despite the name is now based in Leipzig), take us deeper into drone territory. Cartographies get more blurred than in the first two tracks, and if track 1 and 2 were a sort of sonic road movie, now we rather find ourselves out at sea. Or in space? And if so, inner or outer space? Put on this THING and find out.
File under: electroacoustic, drone"
https://emerge.bandcamp.com/album/thing-3
"David Leutkart, who calls himself Grodock, is no stranger as the maker of Grubenwehr Freiburg (in Leipzig!) and with "Der Sog / Kollaborationen". He gives here in 'Das AbWesen a meaningful cue that unbirches Lacan's abject. As the seething, rasping, predatory snorting real (dead, unconscious, evil, powerless, inexistent, counterfactual, sadistic, ugly, disgusting, creepy, excessive, obscure), which is countered by harmonically pulsating waves and a chirping harmonica." [Bad Alchemy]
" 'Thing' is, of course, a physical thing, the CDR object, but in old Norse and Germanic languages, a meeting place, a place of a popular assembly. This is a meeting of old and familiar names and newbies; well, rather new names for me. The latter constitute of Eisenlager, Wilfried Hanrath, and Hans Castrup. The latter opens up the proceedings with an exciting piece of modern electronics inspired music. Seemingly random drones and tones mingle in ever-changing configurations. Steffan de Turck (whom we better know as Staplerfahrer; I have no idea why he chooses his name for this release) has a somewhat unfocused piece with some interesting percussive loops, but, sadly, also some unimaginative turntables moves. Recently revived and active as ever, Boban Ristevski continues his excursions in drone land, and this time, the subject is acoustic sources; or so it seems. It has that warm laptop/pop sound that we used to love fifteen years ago, and which, in fact, I still do. Grodock, of the Grubenwehr Freiburg label, closes the proceedings with a descent into the underworld of darkness. Deep and mean rumbling below the earth's surface, via a monolithic synth, slowly slicing the core of the earth and unleashing a higher-pitched drone. Lovely!" [Vital Weekly]
The artists featured on the third instalment of the THING series hail from Germany, the Netherlands, and Macedonia. Hans Castrup and Steffan de Turck (also known under his Staplerfahrer moniker) create pieces of a rather collage-like nature, including many quasi-referential sounds which seem to tell a story but one that retains a large degree of mystery. It might be called 'musique anecdotique', to borrow Luc Ferrari's term, but listeners are invited to find out their own punchlines. In the second half of the album, almost as if it were a B-side, Boban Ristevski and Grodock, who is also active as label head of Grubenwehr Freiburg (which despite the name is now based in Leipzig), take us deeper into drone territory. Cartographies get more blurred than in the first two tracks, and if track 1 and 2 were a sort of sonic road movie, now we rather find ourselves out at sea. Or in space? And if so, inner or outer space? Put on this THING and find out.
File under: electroacoustic, drone"
https://emerge.bandcamp.com/album/thing-3
"David Leutkart, who calls himself Grodock, is no stranger as the maker of Grubenwehr Freiburg (in Leipzig!) and with "Der Sog / Kollaborationen". He gives here in 'Das AbWesen a meaningful cue that unbirches Lacan's abject. As the seething, rasping, predatory snorting real (dead, unconscious, evil, powerless, inexistent, counterfactual, sadistic, ugly, disgusting, creepy, excessive, obscure), which is countered by harmonically pulsating waves and a chirping harmonica." [Bad Alchemy]
" 'Thing' is, of course, a physical thing, the CDR object, but in old Norse and Germanic languages, a meeting place, a place of a popular assembly. This is a meeting of old and familiar names and newbies; well, rather new names for me. The latter constitute of Eisenlager, Wilfried Hanrath, and Hans Castrup. The latter opens up the proceedings with an exciting piece of modern electronics inspired music. Seemingly random drones and tones mingle in ever-changing configurations. Steffan de Turck (whom we better know as Staplerfahrer; I have no idea why he chooses his name for this release) has a somewhat unfocused piece with some interesting percussive loops, but, sadly, also some unimaginative turntables moves. Recently revived and active as ever, Boban Ristevski continues his excursions in drone land, and this time, the subject is acoustic sources; or so it seems. It has that warm laptop/pop sound that we used to love fifteen years ago, and which, in fact, I still do. Grodock, of the Grubenwehr Freiburg label, closes the proceedings with a descent into the underworld of darkness. Deep and mean rumbling below the earth's surface, via a monolithic synth, slowly slicing the core of the earth and unleashing a higher-pitched drone. Lovely!" [Vital Weekly]