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FENNESZ — AUN: The Beginning and the End
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"Der sterreicher Christian Fennesz prsentiert mit seinem neuen Werk den Soundtrack zum Film "AUN: The beginning and the end of all things". Seine feinsinnigen Kompositionen untersttzen das Projekt des Regisseurs Edgar Honetschlger auf einzigartige Weise mit elektronischen Klngen und komplexen, jedoch berhrenden Strukturen. Fennesz zeigt einmal mehr, das er ein Meister in seinem Metier ist. THEMA DES REGISSEURS 'AUN- Der Anfang und das Ende aller Dinge' erzhlt die Geschichte der Frage nach der Zukunft, dem Wunsch der Menschheit ein neues Morgen zu erschaffen, der Angst und Abscheu vor der Apokalypse. Der Film macht den unerschpflichen Fortschritt des jdischen und christlichen Glaubens zum Thema. Dieser hat seit Beginn des 21. Jahrhunderts die gesamte Welt erobert und der Welt eine Situation auferlegt, in der Probleme nicht mehr von Wirtschaft und Wissenschaft allein gelst werden knnen. Glaube ist so viel mehr als Religion, soviel mehr als monotheistische Konzepte. Seelen und Geister existieren jedoch nicht nur im Film. Die Verleumdung und Ablehnungvon ursprnglichen Gesetzen fhrt zur Auslschung von Individuen,als auch der gesamten menschlichen Rasse. AUN erfindet sowohl Rituale als auch Mythologien und verehrt den Schpfer dieser Welt. Der Film stellt zudem die menschliche Schnheit mir der Natur gleich und will den Zuschauer erinnern dass ,alles menschliche Leben von der Natur erschaffen wird". AUSSAGE DES REGISSEURS 'AUN- der Anfang und das Ende aller Dinge'bezieht sich auf die Gedanken des spten Claude Lvi- Strauss. Dieser beschreibt in seinen Aufstzen, die Einzigartigkeit japanischer Shintoisten, deren Gtter die Natur schtzen. Der Film konzentriert sich auf die Trennung von Mensch und Natur und imaginiert eine Welt, in der das Leben sinnlich gelebt wird. Auch stellt der Film Zusammenhnge zu dem brasilianischen Autor Clarice Lispector, dem italienischen Anthropologen Fosco Maraini und der japanischen Autorin Yoko Tawada her. 'AUN- der Anfang und das Ende aller Dinge' ist ein 100 mintiges Drama, geschrieben von dem sterreichischen Schauspieler und Filmemacher Edgar Hnetschlger. Es ist eine sterreichisch/japanische Co-Produktion, realisiert vom EdokoInstitut Wien und Ribo Ltd. Tokio in Zusammenarbeit mit KGP Wien. AUN wird untersttzt von dem sterreichischen Film Institut, dem Wiener Filmverbund, dem ORF, der Provinz Obersterreich, der Stadt Tokio,derTochigi Provinz,der Shizuoka Provinz und der Yamanashi Provinz. //
An original soundtrack [OST]
CD jewel case - 28pp full colour - 15 tracks - 50 mins approx
"This CD is the soundtrack to the film AUN, directed by Edgar Honetschlger. With stills from the film in the full colour 28 page booklet, the artwork is designed by Philip Marshall. You can see a clip here: www.aun-film.com
Intention:
AUN the beginning and the end of all things tells the story of mankinds quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the 21st century has taken over the entire world and has succeeded in maneuvering the globe into a situation that cant be solved by means of economics and science anymore. Enlightenments merits have taken the Wests ability to sense what is not to be seen, what is only to be felt. Believes are so much more than religion, than monotheistic concepts. Souls and spirits exist not only in film. Denial and neglect of eternal laws lead to extinction of the individual and the entire human race. AUN invents rituals as well as mythologies and worships the creator of it all nature by playfully laying out its dichotomy with human culture. The film equals mankinds beauty with nature by announcing that everything mankind creates in nature. Sadly the hubris ends and gives the audience the chance to heartily weep for the world.
Director's Statement:
AUN the beginning and the end of all things follows the strings of thoughts the late Claude Lvi-Strauss revealed in his anthropological essays throughout the 20th century, as well as those of Japans unique Shintoism whos millions of gods inhibit and preserve nature. The film focuses on the dichotomy man/nature and envisions a future world where life will be nothing but sensual. It contains references to Brazilian writer Clarice Lispector, Italian anthropologist Fosco Maraini and the Japanese writer Yoko Tawada.
AUN the beginning and the end of all things is a 100 min., 35mm feature drama written/directed by the Austrian artist/filmmaker Edgar Honetschlger. It is a Austrian/Japanese co-production realized by Edoko Institute Vienna and Ribo Ltd. Tokyo in cooperation with KGP Vienna. AUN was supported by the Austrian Film Institute, the Vienna Film Fund, the ORF (Austrian TV), the province of Upper Austria, the City of Tokyo, Tochigi Province, Shizuoka province, Yamanashi province.
For AUN film distribution contact filmdelights.com distribution. With thanks to Edoko Institute, Vienna and Ribo Ltd., Tokyo" [label info]
www.touchmusic.org.uk
An original soundtrack [OST]
CD jewel case - 28pp full colour - 15 tracks - 50 mins approx
"This CD is the soundtrack to the film AUN, directed by Edgar Honetschlger. With stills from the film in the full colour 28 page booklet, the artwork is designed by Philip Marshall. You can see a clip here: www.aun-film.com
Intention:
AUN the beginning and the end of all things tells the story of mankinds quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the 21st century has taken over the entire world and has succeeded in maneuvering the globe into a situation that cant be solved by means of economics and science anymore. Enlightenments merits have taken the Wests ability to sense what is not to be seen, what is only to be felt. Believes are so much more than religion, than monotheistic concepts. Souls and spirits exist not only in film. Denial and neglect of eternal laws lead to extinction of the individual and the entire human race. AUN invents rituals as well as mythologies and worships the creator of it all nature by playfully laying out its dichotomy with human culture. The film equals mankinds beauty with nature by announcing that everything mankind creates in nature. Sadly the hubris ends and gives the audience the chance to heartily weep for the world.
Director's Statement:
AUN the beginning and the end of all things follows the strings of thoughts the late Claude Lvi-Strauss revealed in his anthropological essays throughout the 20th century, as well as those of Japans unique Shintoism whos millions of gods inhibit and preserve nature. The film focuses on the dichotomy man/nature and envisions a future world where life will be nothing but sensual. It contains references to Brazilian writer Clarice Lispector, Italian anthropologist Fosco Maraini and the Japanese writer Yoko Tawada.
AUN the beginning and the end of all things is a 100 min., 35mm feature drama written/directed by the Austrian artist/filmmaker Edgar Honetschlger. It is a Austrian/Japanese co-production realized by Edoko Institute Vienna and Ribo Ltd. Tokyo in cooperation with KGP Vienna. AUN was supported by the Austrian Film Institute, the Vienna Film Fund, the ORF (Austrian TV), the province of Upper Austria, the City of Tokyo, Tochigi Province, Shizuoka province, Yamanashi province.
For AUN film distribution contact filmdelights.com distribution. With thanks to Edoko Institute, Vienna and Ribo Ltd., Tokyo" [label info]
www.touchmusic.org.uk