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Label & Cat.Number: Gears of Sand [GOS21]
Release Year: 2006
Note: professionally printed CDR release; LAST COPY!
Price (incl. 19% VAT): €13.00
More InfoHier zeigt AIDAN BAKER seine Songwriter-Seele: er singt, sehr sanft, flüstert manchmal eher, dazu spielt er "richtige" Stücke, die aber durchaus experimentelle Anwandlungen und "Dronifizierungen" erfahren... ultra-sanfter dream'n'drone songwriter-Pop mit viel Emotion, auch das gelingt AIDAN wieder traumwandlerlisch & sicher...
"The innovative master of ambient guitar returns with a breakthrough album. At its core 'Green & Cold' is a a mix of drone, post-rock, and what the artist calls appropriately "deconstructive dream-pop." Memorable hooks combine with Baker's trademark huge wall of guitar constituted atmospherics. Baker's shoegazey croon floats among the stuttering clicks and cuts permeating the layers of catchy riffs and slow, intoxicating beats. As 'Green & Cold' unfolds the listener is coaxed familarly inward only to be washed over in waves of wispy, warming drones: An album of uncommon intelligence and artistry." [label info]
"Aidan Baker is back, still vying for the most prolific man in show business award (well, at least underground, free drone show business) with a double shot of washed out dreamy droniness. There's the latest from Nadja, reflecting his more metal side, and then there's this, the follow up to last year's Pendulum, which was a fantastic slab of glistening disembodied dronemusic. Green & Gold follows suit but with an interesting twist. Vocals. Lots of 'em. Baker is no stranger to singing, his whispery croon has graced more than a few of his releases, but on G & G, the vocals are a big part of the songs, and the songs are actual songs, with drums, and verses and choruses and everything. Well, sort of.
Some tracks, like the untitled opener, are indeed still just wispy slow shifting expanses of fuzzy dreamlike sound, which we can NEVER get enough of, but others, like "Chainsaw", are actual lowercase, slow motion, dark and dolorous slowcore pop songs. Simple murky guitar riffs, wreathed of course in all manner of reverb and soft focus fuzz, hovering over stripped down shuffling rhythms, while Baker croons softly over the top, a hushed almost whisper, sounding not entirely unlike Iron & Wine's Sam Beam actually. Even the music sounds a little like a blissier tarpit version of Iron & Wine. There is some definite twang there, subtle, but it's there, nestled amidst the delicate folky strum and the glistening sonic glimmer. Imagine an
even more somnambulant Low, or Spacemen 3 at 16 rpm, a ultra druggy
(druggier?) Galaxie 500, each track a pop song mumbled and murky, a moonlit crawl through a hazy landscape of shuffle and shimmer, of strum and twang, all wrapped up in soft swirls of shimmer. Essential for fans of all things Jeck and Tim Hecker and Jasper TX and Machinefabriek and Grouper and Troum and Main and the like, but also worth a listen for more adventurous fans of Iron & Wine, Spacemen 3, Galaxie 500, Low and other slowcore drugrock dreaminess..." [Aquarius Records]
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