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Label & Cat.Number: Cohort Records CRCD 119
Release Year: 2006
Note: lim. 100 // http://cohortrecords.0catch.com
Price (incl. 19% VAT): €9.00
More InfoTwo new unknown names for us on John Gore's (KIRCHENKAMPF) label: ANDREW DUKE has 10 shorter pieces with delayed object-noises, nicely effected roaring drone-waves, weird electronic sounds, and glitchy rumbling granulation-fields, many details & ideas here, every piece is different... AKUMU presents three permeating sonorous drones with lots of micro-sounds... great CDR, much recommended!
"two Canadian sound artists: Andrew Duke of Cognition Audioworks of Nova Scotia presenting his cutup glitch compositions and Akumu (aka Deane Hughes) three tracks of deep drone - limited to 100 copies"
"I always appreciate Cohort’s will to present non-commercial electronic music from all over the world, even at the price of a few minor releases. But the good ones are REALLY good, and this is one of them. Andrew Duke, who is a renowned composer active in many different media, is here represented by a series of relatively dark tracks which feature quite a lot of spontaneous instrumental generation, in addition to Andrew’s obvious technical skills. Deceitful patterns and clashing reverberations release inexhaustible, mind-dislocating clouds of frequencies that contrast – or get married to – hypnotic vicious circles in an unpredictable kinship with hypothetical altered states of mind. Headphones are recommended to catch every minute detail, as Duke works at the margins of the audio spectrum to deliver his brand of electronica from any preconceived interpretation, virtualizing events with the equidistant calm of a neutral observer. Dean Hughes (Akumu) is even more obscure, entrancing and – contrarily to what the titles might suggest – organic. His three tracks are long explorations of the psyche through a mass of extremely resonant low drones that suggest no other behavior than a total relinquishment of our will to penetrate their structure (no pun intended). For my own taste, this is the best half of this split album, bringing memories of current masters of the genre (Frans De Waard’s Shifts and Freiband projects come to mind) through a masterful modulation of our sensitive apparata. But the whole CD is excellent, and it would be unjust on my behalf dividing the artists’ merits." [Touching Extremes]
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