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TARENTEL - Ghetto Beats on the Surface of the Sun (Vol.3)

Format: LP
Label & Cat.Number: The Music Fellowship MF23
Release Year: 2007
Note: third part of four limited 12" LP series // www.musicfellowship.com
Price (incl. 19% VAT): €17.50
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"When we first heard the title of this new Tarentel FOUR LP
series, Ghetto Beats On The Surface Of The Sun, the first two of
which we raved about a little while back (both of which we still have
in stock, although there are only a handful of copies left!) we were
pretty sure they were being ironic, or facetious, or something, and
there would be no beats, ghetto or otherwise, to be found anywhere,
just their usual gorgeously slow shifting epic postrock soundscapes.
But actually, these lps ARE all about the beats, not sure if they're
'ghetto' or not, but they sure are dense and funky and weirdly
rhythmic, from blissed out shuffling skitter to super propulsive
krautrock pound, these discs are definitely a whole new side of
Tarentel. A much more raw and ragged, caustic and groove based beast.
It almost sounds like Tarentel covering This Heat, or a krautrock No
Neck Blues Band, or maybe even Tussle via This Heat with a bit of 23
Skidoo thrown in for good measure.
While the framework of most of these songs is some dense web
of percussive clatter or some sort-of-funky drum jam, these
gorgeously hypnotic skeletal rhythms are surrounded on all sides by
thick swaths of crumbling ambience, disembodied guitar loops and
rumbling bass, thick swells of warm whir and all sorts of other
random dreamlike shimmer. Often building into seriously caustic
squalls, big churning white hot sonic swirls, each wrapped around
beats that seem on the edge of falling apart, or splintering into
rhythmic fragments. Maybe that's the ghetto angle, the beats are
super lo-fi, blown out, strangely recorded, so they sound sort of
alien, with lots of strange FX and stuttering stumbling variations.
So fucking awesome.
On volume three, the group start out by moving even further
out into space (rock) on the ten minute "Stellar Envelope", blown out
crumbling sheets of distorted psych guitar and dizzying FX wrapped
around propulsive tribal beats, feedback everywhere, it almost sounds
like Hawkwind with all the structure sucked out, leaving a huge
swirling mass of psychedelic tribal ambience, while managing to still
rock somehow. The rest of volume three area gorgeously obfuscated
drift through a sonic landscape at once rough and lo-fi and
blissfully lush, strange industrial clatter and clang is muted and
smeared into mumbly ambience, guitars are looped into hypnotic
stretches of throbbing drone, bits of dreamlike melody, simple
spacious piano, are wreathed in fuzz and warped into gorgeous slabs
of pop ambient fuzz, the whole thing is surprisingly tranquil and
shimmery, especially after that opening salvo, and the dense rhythmic
intensity of the first two volumes, but within the context of
Tarentel's epic 4 part Ghetto Beat symphony, it couldn't sound more
perfect.
As much as we love pretty much everything Tarentel does,
volume three of Ghetto Beats only further convinces us that this is
by far the best stuff we've ever heard from these guys. So fantastic!" [Aquarius Records]