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Label & Cat.Number: Ground Fault GF 026
Release Year: 2003
Note: SPECIAL OFFER!
Price (incl. 19% VAT): €8.00
More InfoVERTONEN aus Chicago vertont hier seine Turntable-Experimente und betört den willigen Hörer mit knisternd-knarzigen Rauschdrones, bizarren Vinyl–loops, noisigen Pulsations-mustern und ganz konkreten Metall-Geräuschtupfern.
* Vertonen is Chicago experimental music veteran Blake Edwards and this CD continues an ongoing exploration of turntable-fueled drones. The opening track's title is self-explanatory: "untitled for air organ and turntable motor". Recorded live on the radio in Chicago, this piece is a fourteen minute long deep and dense mix of beautiful bass tones and thick breathy hums playing endless phase games with each other. On the second piece, a very heavy speaker-rattling bass tone loops through the beginning as metal-percussion sounds slowly cycle in the background. Scratchy vinyl sounds and dense ambient tones continue throughout as some recognizable vinyl-sourced sounds emerge- like a looped horn-line perhaps. the regular sound of the loop disturbs the drone atmosphere a little, adding some humor to a track that doesn't seem to need any. The next piece, "Four chambers plus their various fluids" kicks out the noise from the get go- fast and loud cycling noise whirring and flanging endlessly. Hissy field recorded sounds predominate as the track fades out to silence. "Soma Trio Study (2)" is the shortest cut one here at 5 minutes and could have used a little more time to develop. The sounds at play are delicate and melodic slowly evolving loops drifting in and out of phase- a bit like Philip Jeck, perhaps and much more romantic than the claustrophobic sounds on the previous pieces. Final track begins with warbly locked groove piano sounds eventually overtaken by a darker, machine loop that slowly fades in as the piano plays on. The mix of endless drone frequencies and more loopish vinyl sounds works wonderfully throughout this disc.” [Angbase]
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