STABAT MORS — Struktur mit Dominante
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Krasse Aufnahmen vom Bremer Radikal-Projekt mit Bezug zu L. ALTHUSSER: Feedbacks in verschiedenen Schichten, gewaltiges Geschrei, eine Vertonung eines Textes von ANTONIN ARTAUD, Akkordeon-Sounds, Synth-Pulsationen, mysteriöse backwards-Stimmen und Harmonics und vieles mehr...
3 Stücke, 43 min.: GEHÄUSE DES WAHNS, DES BODENS, STRUKTURELLER BODEN = GRUND (FOND/RAISON/ GROUND/REASON) = AB-GRUND.
Das ganze kommt in einer unglaublichen Coverartwork: Eine großformatige Watte – Öl – Mappe mit eingearbeiteter Zeitung, Eierschalen (?), und handmade artwork inside !
Intellectual harsh-ambient-noise at its best from this exceptional Bremen-based project, which relates here to L. ALTHUSSER and uses feedbacks in many layers, tremendous screams, a text from A. ARTAUD, accordeon-sounds, synth-pulsations, mysterious backwards-voices & harmonics... and much more..
Comes in a impressive handmade cover-map made of newspaper, oil, cotton wool and egg-shells (?).
3 Stücke, 43 min.: GEHÄUSE DES WAHNS, DES BODENS, STRUKTURELLER BODEN = GRUND (FOND/RAISON/ GROUND/REASON) = AB-GRUND.
Das ganze kommt in einer unglaublichen Coverartwork: Eine großformatige Watte – Öl – Mappe mit eingearbeiteter Zeitung, Eierschalen (?), und handmade artwork inside !
Intellectual harsh-ambient-noise at its best from this exceptional Bremen-based project, which relates here to L. ALTHUSSER and uses feedbacks in many layers, tremendous screams, a text from A. ARTAUD, accordeon-sounds, synth-pulsations, mysterious backwards-voices & harmonics... and much more..
Comes in a impressive handmade cover-map made of newspaper, oil, cotton wool and egg-shells (?).