HAJSCH — 1992
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Wiederveröffentlichung der insgesamt 5 HAJSCH & PFN-Stücke, die 1992 auf den LPs „NAGUAL“ und „AKASA / FÜR CLEO“ (PFN) auf QUIET ARTWORKS erschienen..... an- und abschwellende drones mit konkreten Garnierungen, field recordings, Viola & Cello & Saxophon, alles in extremer Zeitlupe, manchmal fast klassisch-orchestral, magisch konkret & traumhaft-halluzinogen, der CARLOS CASTANEDA-Bezug lässt sich nicht nur in der Titelgebung wiederfinden....
“about ten years ago the cologne school of experimental electronic music was taken over by new generation of young musicians. hajsch was not only influential in its development and differentiation, but he pioneered new recording and editing procedures and set new standards with his unconventional compositions. the combination of experimental-electronic, electro-acoustic and serious music is ideally revealed and realised in hajsch's music. now after a ten year period the compositions released in 1992 on his own label "quiet artworks" can be heard on cd. originally these recording were only available as limited edition vinyl pressings. despite this fact, the recordings quickly received distribution. musicians such as jim o'rourke, john zorn, thurston moore or masami akita were inspired by hajsch's music. hajsch spent three years working intensively on this album, which redefined anew the borders between electro-acoustic, concrete music and electronica.” [label info]
“about ten years ago the cologne school of experimental electronic music was taken over by new generation of young musicians. hajsch was not only influential in its development and differentiation, but he pioneered new recording and editing procedures and set new standards with his unconventional compositions. the combination of experimental-electronic, electro-acoustic and serious music is ideally revealed and realised in hajsch's music. now after a ten year period the compositions released in 1992 on his own label "quiet artworks" can be heard on cd. originally these recording were only available as limited edition vinyl pressings. despite this fact, the recordings quickly received distribution. musicians such as jim o'rourke, john zorn, thurston moore or masami akita were inspired by hajsch's music. hajsch spent three years working intensively on this album, which redefined anew the borders between electro-acoustic, concrete music and electronica.” [label info]