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ORPHANAGE COMMITTEE - Sol in Solus

Format: LP
Label & Cat.Number: EE Tapes EV22
Release Year: 2023
Note: second LP for the Belgium based project, versatile and creative "handmade" electronic music with a light, spiritual, nature-woreshipping approach and expression.... - *Sol In Solus' is a concept album about nature and self-reflexion. An overall organic suite in ten parts comprising multi genres and instruments conceived and performed by this talented local electronic artist! * - lim. 200 copies
Price (incl. 19% VAT): €20.00


More Info

The Orphanage Committee is the brainchild of Orphan S.C. Wallace.

The committee in itself can be seen as a singular abstract entity, while its different faces show themselves in their different aspects of music or variety of genre they create.

Second vinyl LP for label resident Orphan Wallace!
'Sol In Solus' is a concept album about nature and self-reflexion.
An overall organic suite in ten parts comprising multi genres and instruments conceived and performed by this talented local electronic artist!
Guest appearance by Michiel De Malsche on A: V.Topsoil Girl.
Back to nature!

'For the Sun is our Force of Habit,
Giver and Taker of Life,
For our Solus is the Merit,
The Way, the Truth, the Light.'

Tracklist
A: I.Tiny Rivers II.Mother Tree III.Le Fort IV.Bound Like Blood/My Very Last Chance V.Topsoil Girl
B: I.Aquarius II.Forest Spirits+ III.As Long As I Have My Sense Of Wonder IV.Earth, Bind, Oxidize V.My Darling Thunder

Tags: abstract, ambient, experimental, field recording, minimal, modern classical

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" 'Sol In Solus' is already the fourth release by Belgium's Orphan S.C. Wallace, also known as The Orphanage Committee. He writes, "The committee in itself can be seen as a singular abstract entity, while its different faces show themselves in their different aspects of music or variety of genre they
create, " which may account for the slightly varying approaches in sound. The title means The Sun Alone, a concept album "about nature and self-reflexion". Ten parts spread over two sides of the record, each flowing into the next. Instruments aren't mentioned, but if I have to guess, I'd say there is an abundance of sampling going on, and many of these are samples from real instruments. Lots of percussion, keyboards, strings and such, and the result is again a diversification from his earlier work. The music is atmospheric again but in a slightly more orchestral sense of the word. The Orphanage Committee isn't using big-time-sustaining sounds but melodic sampled electronics. One name that sprang to mind was Fetish Park, but I forget which CD of theirs. The whole thing has an air of modern classical music but an artificial version. I admit not seeing the relation with nature easily here, or, come to think of it, self-reflection. Only when he mixes some field recordings do things become more nature-based, obviously with these forest sounds. It is all quite pleasant to hear, maybe too lovely and light at times; perhaps I love a bit of darkness, a bit too much, and there isn't always that much of it here. Having said that, there is enough to enjoy here, as each of the ten sections works very well as part of a whole, and there is some excellent variation in the music here. Another record by The Orphanage Committee, another variation in approaches, another winner." [FdW / Vital Weekly]