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Label & Cat.Number: ROOM 40 EDRM 421
Release Year: 2010
Note: two "site-specific works" by the French master of field recordings; the first is a fascinating work of Musique Concrete based on the soundworld of bees, the second uses sounds from Dundee City in collaboration with US film experimentalist KEN JACOBS
Price (incl. 19% VAT): €13.00
More InfoWer jemals selbst versucht hat, brauchbare 'field recordings' zu hervorzubringen, dürfte wissen wie schwer es ist, Störgeräusche auszuschalten, die gewünschte Klangquelle laut genug hörbar zu machen und überhaupt den "richtigen Moment" zu treffen... denn der Zufall spielt hierbei eine gewichtige Rolle, die Unkontrollierbarkeit der Klänge macht demütig...
Einer der absoluten Meister des Fieldrecording und deren Verarbeitung ist ERIC LA CASA, von dem hier 2 Stücke präsentiert werden, die sowohl gekonnteste Feldaufnahmen zeigen als auch die brilliante Transformation in eine Art naturale musique concrete:
ZONE SENSIBLE 2 benutzt Aufnahmen von Bienen, deren summender Chor oft gewaltig anschwellt und sich mit sirrenden, elektronisch wirkenden mechano-Drones vermischt, ein Stück voller Dynamik und Brüchen, welches am Ende wie ein einziger atmender Klangorganismus wirkt, epische 26:30 min lang.
Auf DUNDEE 2 dagegen entwirft er aus 30 verschiedenen Orts-Aufnahmen eine Art unterbewussten Klangspiegel der schottischen Stadt Dundee, wobei v.a. die stets vorhandenen, aber kaum jemals bewusst wahrgenommenen Sounds von Maschinen (Ventilatoren, Aufzüge, Sirenen, Kühlschränke) eine grosse Rolle spielen..
das soghafte Rauschen einer Stadt verläuft hier in langen auf- und abschwellenden Bahnen.
Fazit: Zwei geniale Kompositionen für das Kino im Kopf !
"For the best part of a decade, Éric La Casa's attention to sonic phenomena has resulted in some of the finest contemporary Musique Concréte to come out of France. A listener of the highest order, La Casa's methodology for sound recording allows for a versatile examination of both urban and natural environments and it is these interests which are captured on this new edition for Room40. With an ability to find unique perspectives on his sound subjects La Casa's site specific works 'Zone Sensible' and 'Dundee' seek to draw a detailed focus and expose unfamiliar, incidental and previously unheard sound worlds. Zone Sensible, exclusively composed from recordings of bees in the Olivier Darné's hives, located in the Saint Denis suburb of Paris, reveals a chaotic, frenetic microcosm that speaks to the density of the real, whilst hinting at our ears to experience a dance of oscillations - wings beating with boundless energy. As a contrast to this microcosm, Dundee, composed with recordings of Dundee city (during a 10 days residency at DCA museum), sees La Casa turn his microphones outward. Rendering a captivating sound map of sorts, Dundee' was developed in collaboration with USA Film experimentalist Ken Jacobs' 'nervous magic lantern', on a 6 channels device. From these recordings La Casa composed variations and movements in interaction with Ken Jacobs' processing - a contemplation from the real to abstracted life." [label info]
"Two new works by Eric LaCasa, the active composer of musique concrete. By now he has a long list of releases under his belt, and on this CD he presents two new works. 'Dundee 2' is in three parts, while 'Zone Sensible 2' is one work. That one was commissioned by Les Instants Chavires (France) for a festival and uses solely the sounds of bees, recorded in a beehive. It starts out with the sound of bees, but soon starts to move about in some electronic after life. Or so it seems. Until now I always thought, but perhaps wrongly, that LaCasa only works with pure sound, always recorded in the fields (agricultural and urban), and never used that much sound processing, but perhaps I was wrong. Here its a much more electronic work that depicts the chaos of the beehive very well. Buzzing with life, sounds crawl about and its hard to figure out what is going on - except of course if you are a bee yourself. A work full of life.
'Dundee' was commissioned by Arika for 'Kill Your Timid Notion in 2007 and uses sounds of that Scottish city, which was played back on a six channel system, devised along with Ken Jacobs, an American film maker. Here we have the 'empty' spaces that resonates, sometimes interrupted by voices ('what are you doing in the parking, recording spaces'?, or station announcements) or by events we can longer trace back to its origin. Here it seems to me LaCasa uses no electronic processing, but the pure sound phenomena as captured on tape. A powerful work, even if you don't know the city of Dundee (at least I don't). What sets LaCasa aside from his colleagues in the same field, is that he composes with the material, rather than presenting them (for instance works like this on the German Gruenrekorder label), and that makes them all the more engaging to hear. I am not sure why 'Dundee 2' has been cut into three separate pieces, but like 'Zone Sensible 2', these are excellent pieces. LaCasa is
one of the true masters of working with field recordings." [FdW / Vital Weekly]
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