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Label & Cat.Number: Ad Hoc Records AD HOC 16/17
Release Year: 2006
Note: re-issue of their first two LPs from 1987 & 1990, with various bonus-tracks
Price (incl. 19% VAT): €14.00
More Info"Old hands will remember those strange LPs imported and distributed by Recommended back in the late 80s. A studio project, audibly influenced by the Residents, but not over-imitative, the Blitzoids mixed concrete- and tape-manipulations, noise, extended playing techniques and found recordings with iterative song-like structures and open architectures. Always interesting, sometimes scattershot, avoiding any obvious style, they moved fast from one idea to the next. At the time, they were pretty much out there on their own, and achieved only limited visibility, so its good to see their work collected and reissued on this double CD." [label info]
"if comparisons must be made, then imagine putting the Los Angeles Free Music Society, Fred Lane, Fred Frith, various field recordings, radio transmissions, and a haunted house sound-effects tape into a blender. After the blender shakes violently and explodes, spraying globules of audio lunacy across the room, you giggle and dance around like a moron. That's what listening to the Blitzoids is like.
Brothers Steve and Chris De Chiara were running a Chicago record store when they started recording with Jim Nickels. Their first LP, 1987's Stealing From Helpless Children, is a work of unbridled invention, lumping together skronky jazz, tape manipulation, funny sounds, spooky textures and low-fidelity melodies. A reliance on traditional song structures doesn't make the band sound at all conventional, but merely confirms their considerable compositional skill.
Each track is a mini-movie for the ears. “Left or Right?” utilizes Donald Duck laughter for a bizarre refrain; ”Try and Stop Us” is a complex sound collage that recalls Evan Parker at one moment, Penderecki at another; ”Middle of Nowhere” shifts from a tribal jam session to an imagined Carl Stalling horror film score. It's all held together with catchy vocals, cheapo synth drums and Chris De Chiara's inspired guitar work, which can echo anything from John Abercrombie to Snakefinger. For uneasy listening, Stealing From Helpless Children is surprisingly listenable.
1990's Look Up is even more adventurous. The raw materials haven't changed—backwards tape and talk-radio excerpts abound—but each track is so densely layered that it takes many listens to absorb it all. The songs are still accessible: the lyrics to “Good Vacation” are worthy of Bob Dylan's best hallucinatory narratives, accompanied by music that is more appropriate than Dylan ever attempted.
Rounding out this reissue are eight bonus cuts, including the band's funniest achievements. “Fire on the Mountain” transforms an old fiddle tune into a hoedown from hell, and it's hard not to crack a smile through mangled versions of “A Summer Place” and “The Witch Doctor.”
The Blitzoids might have worn their influences on their proverbial sleeves, but their music stands on its own. Give them a listen if your tastes run to the left of strange, or if you just want something to listen to while you're getting blitzed.." [Brad Glanden / allaboutjazz.com]
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