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Label & Cat.Number: Lapilli LAPCD3 / Black Rose Recordings BRCD 06-1008
Release Year: 2006
Note: stunning collaboration by these two "pure sound" legends, reworking each other's material; very abstract & droney & full of electric air... over 70 min. playtime
Price (incl. 19% VAT): €13.00
More InfoZwei lange Stücke auf dieser beeindruckenden CD, die auf gemeinsam erstellten Klangquellen beruht. Das 32 minütige "buzzin fly" von Z'EV ist ein atemberaubendes Dronescape voller aufblitzender und schneidender Sounds, bei LOPEZ wird daraus eine 40minütige Versenkungsübung, wenn mächtige Eisberg-Drones auftauchen und wieder verschwinden gerinnt die Zeit, hier tun sich furiose Welten auf ..... genius stuff !!!!
"A sensational collaborative album between Z’EV, one of the forefathers of industrial music, and renowned Spanish artist Francisco Lopez, known for his releases performances and installations worldwide. Z’EV’s ‘buzzin’ fly (in loving memory of Tim Buckley)’ is a full spectrum 32 minute piece full of dynamic shifts, sonic worlds and can be described as oceanic in feel. Lopez’s ‘dormant spores’ takes 40 minutes to run it’s course, and is perhaps a more meditative piece than Z’EV’s, but no less challenging. Lopez skilfully crafts minimalist hypnotics that can be as destructive to delicate eardrums as they are captivating. Both
works complement each other and form a powerful album that Lapilli and Black Rose Recordings are happy to release." [label info]
"...Lopez more than Z'EV, but both are avid collectors of sound material from the world that surrounds us. Lopez is the man with the microphone, while Z'EV does that too, but he also is on the look out for material to play his percussive music on. Throughout Z'EV's career percussion music has played an important role, but the studio has had a likewise big role in his work. Using the studio (no doubt a harddisc these days) to its extreme, using as many tracks as possible to make subtle shifts and changing patterns throughout the piece. Perhaps the opposite of how Francisco Lopez: using sometimes just one or two sound sources and exploring them through radical equalization. Before he did this using a very low audible range for his music, but lately he has shifted towards audible material, but in cut-up/collage way. Here it is no different. The sound sources of both are presented in a strong collage form, in which loud/soft material, sometimes with smaller blocks of silence in between them. A very intense piece of music.
In the five pieces by Z'EV things stay throughout on a more equal level, in which sounds seem to shift and phase along side each other. The whole thing, rather one piece in five blocks than five separate pieces makes a highly psychedelic pattern of sounds moving in and out of phase. Two sides of the coin called field recordings and both sides, even when so different, are equally great. Powerful, intense and illusionary. Great stuff." [Fdw / Vital Weekly]
"Sadly, this is music that some would describe as “ambient”, simply because that seems to be the going term for music that doesn’t have drums or traditional style guitars. The problem with that definition is that it is considered synonymous with “nothing really happens” and there is a world of chthonic wonder to be found in the depths of the sounds herein. It’s virtually impossible that any fan of experimental or concrete music will not have happened upon the works of either Z’ev or Lopez in their travels. Each is prolific, respected and established within the community. The album is a split, rather than a collaboration (hence the divided title) with the first half, comprised of five shorter linked tracks, belongs to Z’ev, the second, a long single piece, to Lopez. The two halves are a nice match, with the almost blissful organic drift of the former leading nicely into the intense rise and fall of the latter. This release is all about the texture and progression of sound, so if you are looking for something that truly is ambient- something inoffensive that meekly fades to the background- you might want to look elsewhere. If you’d prefer to throw on headphones for something that will reveal itself more with each subsequent listen, you could do a lot worse." [KM, Adverse Effects]
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