WELLS, DAVID — Op.2
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Light drones, shimmering, field recordings, hisses... very soft....very silent.... very far away... calm & peaceful.. nice CDR release of DAVID WELLS, known from his 20 HERTZ releases and his own label LOCUS OF ASSEMBLAGE. Recommended.
“100 copies black disc, front and back with autographed disc face in clear clam shell. This is the full release of Op.2 with additional material from the same period. Re-mastered and Revised June 2006. All material 1994-2006. Assistance, Diana Del Pozo Sotillo. This release launches the label Siridisc. 2.1 was originally released as part of the twenty hertz droneworks series.” [label info]
”Fluctuations of electronic organisms, strange ear vibrations, caressing frequencies determining their own shape: it's all contained in David Wells' contribution to the growing (both in number and in quality) series of drone EPs by Paul Bradley's label. Wells shows his deep commitment to meditative washes of unprecedented imagery, pushing the intensity accelerator only that necessary bit to escape intermediate states; his music works at sky-high levels of evocation, particularly in the final segment where there is a clear connection between the sound of waves and the blurred sea shore cover picture. Everything here is pleasingly adorned with untroubled
melancholy.” [massimo @www.touchingextremes.org]
“100 copies black disc, front and back with autographed disc face in clear clam shell. This is the full release of Op.2 with additional material from the same period. Re-mastered and Revised June 2006. All material 1994-2006. Assistance, Diana Del Pozo Sotillo. This release launches the label Siridisc. 2.1 was originally released as part of the twenty hertz droneworks series.” [label info]
”Fluctuations of electronic organisms, strange ear vibrations, caressing frequencies determining their own shape: it's all contained in David Wells' contribution to the growing (both in number and in quality) series of drone EPs by Paul Bradley's label. Wells shows his deep commitment to meditative washes of unprecedented imagery, pushing the intensity accelerator only that necessary bit to escape intermediate states; his music works at sky-high levels of evocation, particularly in the final segment where there is a clear connection between the sound of waves and the blurred sea shore cover picture. Everything here is pleasingly adorned with untroubled
melancholy.” [massimo @www.touchingextremes.org]