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Label & Cat.Number: Beta-Lactam Ring Records mt092a
Release Year: 2006
Note: back in stock / lower priced now !
Price (incl. 19% VAT): €14.00
More InfoWas soll man zu dem britischen Quartett VOLCANO THE BEAR noch sagen? Wer auf der Suche nach überraschender & neuer, (noch) nicht klassifizierbarer Musik ist, die nicht am Computer entsteht, muss hier einfach mal reinhören!! Ihre Musik mit Einflüssen aus Folk, Drone, Avant-Rock & Impro-Jazz ist nicht nur oft irgendwie “weird” und verquer, sondern weist auch streckenweise grosse harmonische & elegante Schönheit auf... wie immer ist vokales Material omni-präsent!
“.... zeigt Antifolk flippernd zwischen Didgeridoo und Handy, Daumenklavier und elektrischer Störung, als Folklore des Absurden, die es fertig bringt, in raffinierter Unschuld zerebralen Goldstaub aufzuwirbeln..” [Bad Alchemy # 51]
„...Describing Volcano the Bear's music is about as difficult as identifying the instruments. The quartet's arsenal of gear is transcendant of time and space, culled from different cultures and different eras, from classically orchestral woodwinds (albeit sometimes just blowing through the mouthpiece) to African thumb piano, helicopter sounds, thunderstorm and rain and running water, medieval squeeze boxes, squeak toys, chirping or crying bird sounds, and Asian stringed things. While improvisation has been integral to the band's development, Volcano the Bear can always be counted on very cold-calculated and composed songs appearing on their official studio albums. Their arrangement is loose but never wanky or show-offey. Perhaps it's this lack of soloing and pretention that has kept them from appropriate recognition by some of the major experimental media in favor for a whole "free folk"/"weird rock"/"new weird America" obsession.“ [Brainwashed]
"VTB have crafted a strange geometry in their musique concrete between celestial duck honks and what sounds like a flood in the living room, there are more than a few occasions of heads cocked at the speaker in mundus caninus. Of course, this bodes well for humans, too. Augmented by all the dog friendly moments is a double album of sprawling musical invention. Record one births gently into a lo-fi-adelic Comus-like saline that even might even win over the Devendra crowd, if the Devendra crowd had ingested just a little too much mushroom tea on that day and left their ironic trucker hats at the door. Song becomes fever dream and then pitches into a barren place of low estate and low chanting whose Residents might well be Eskimos. With typical minimalist pageantry, VTB mutate from piece to piece, punctuating along the way with surprise sounds that the aforementioned dogs love so well; the kinds of quirks that make Nurse With Wound and P16.D4 records such fun listens. VTB spin some very melodious tales, which are subliminally hooky, after a fashion. Spiritual and surreal are sisters. Quiet ritualism queues with dadaistic and with progressive harmonies, together on the same fractured, out world, sing-along journey. And that's just record one. Record two crawls slowly from the echoey ooze, grows legs and then presents as a different and, in many ways, more dramatic creature. A long, shifting organ drone becomes a deeply psychedelic statement that bleats loud and strong like an acid bleached Spiral Insana or a sneaky This Heat.” [label info]
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