Drone Records

KALMA, ARIEL - Osmose

Format: CD

Label & Cat.Number: Beta-Lactam Ring Records BLUR01

Release Year: 2006

Note: heavy cardboard / gatefold-cover

Price (incl. 19% VAT): €14.00

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Schöne Neu / Wieder-Entdeckung auf BETA LACTAM: Der gebürtige Pariser ARIELL KALMA ist schon seit langer Zeit aktiv als World-, Ambient- und Jazzmusiker in verschiedenen Bands, aber auch als „seriöser“ elektro-akustischer Komponist mit INA GRM – Verbindungen. OSMOSE erschien 1978 als LP und wird hier im Original-Miniatur-Design (gatefold cover) wiederveröffentlicht.
Kaskaden von Echo-Sounds (von Saxophon, Keyboards, Atem, Akustikgitarre, Flöte) und Regenwald-Aufnahmen, Gesangs-Drones, orgelartige Harmonien & wirres Analog-Pfeiffen, ein endloses phasenverschobenes Sirren & Vibrieren..... insgesamt eine melancholisch-sakrale, meditative Atmo mit Kraut-Referenzen, irgendwo zwischen ALIO DIE und sehr experimentellen TANGERINE DREAM oder so...

“Packaged in a 5 color heavy duty miniature gatefold sleeve replicating the original LP sleeve. Ariel Kalma's magical and weird Osmose originally released in 1978 masterfully matches Richard Tinti's rainforest field recordings with Ariel's left field minimalist compositional ideas. Rather than simply relying on the rainforest sounds providing a pleasant backdrop to the drones, the drones interplay with the pitches of the natural sounds to create melancholic, Popol Vuh like grandeurs. The natural chirps and creaks blend with the music to become similar to ambient loops themselves; such that their very tonal nature shifts from being recognizable jungle sounds, frequently phasing into blurred rhythmic elements under the electronic parts. Ariel's musical minimalism avoids being serialist or academic, despite being part of the INA GRM studios for many years. So, neither is it concrete like Parmeggiani or Risset, nor is it classical like Philip Glass or Michael Nyman. If anything, Ariel's music is deeply cosmic, sometimes even a bit psych, ala the great Krauts of yore: old Tangerine Dream, Sand, Cluster etc. His cathedral like tones and running counterpoints actually give the rainforest noise a sinister edge. The music absolutely subverts the traditional idea of the rainforest as that of a happy hunting ground for cause riddled yuppies with Benzes full of Kruggerrands. Osmose reminds that not only is the rainforest a place of awe inspiring beauty, but it is also something very dense and alien. It is a place of removal; it is a place of isolation; it is a kind of inner space; it is an extraordinary and surreal church of sorts; and it is deadly. The album has a progression that's almost a story in toto, where the next rise is finally crossed revealing the huge, seemingly impenetrable expanse of lush greens. The expanse is then explored with wide eyed wonder until the guide dies and the companions start succumbing to fever, ague, snakes and unseen primitives at home in the shadows. Appended by 3 previously unreleased tracks from the same sessions, this reissue finally allows the rainforest to live up to its natural state of untamed jungle.” [label press release]