Your cart (0 item)
|
Format: CD Label & Cat.Number: Divine Frequency DivF 01 Release Year: 2005 Note: Versions of 11 B. BRECHT-Songs, includes COIL - A list of wishes and other guest-contributions, cover by HR GIGER ! Price (incl. 19% VAT): €15.50 Warning: Currently we do not have this album in stock!
More InfoPost Industrial Cabaret. Ein Album der Superlativen: 11 Neu-Interprationen von meist sehr expliziten BRECHT / WEILL – Songs (alles von 1928 / 1929) von den schwulen „Anarcocks“ COIL-Performance-Tänzern „Massimo & Pierce“, mit Gastbeiträgen von LYDIA LUNCH und Mitgliedern von LARSEN und ANTONY AND THE JOHNSONS, einem kompletten Stück von COIL, und der Cover-Artwork von H.R. GIGER. Songs aus dem Rotlichtmilieu, melancholisch und hitzig, balladenhaft & grotesk, elektronisch aufbereitet und oft sehr interessant & spannend umgesetzt....“operettAmorale is Massimo & Pierce's personal tribute to the poetry of German poet, playwright and thinker Bertolt Brecht (1898 - 1956). The album is composed of 11 classic Brecht's songs, here revisited according to Massimo & Pierce's irreverent attitude. Massimo & Pierce invited some of their friends to contribute to operettAmorale : COIL recorded the song A List of Wishes (one of the latest studio performances by Johnn Balance) purposely for this album. The Ballad of Sexual Dependency is here delivered by the incomparable voice of Lydia Lunch. HR Giger contributed with the cover artwork and a vocal cameo appearance on Seeräuber-Jenny. operettAmorale was produced by Massimo & Pierce in collaboration with Larsen's member Fabrizio Modonese Palumbo, whom also provided some original music and the acoustic arrangements. Among the musicians whom partecipated to operettAmorale's recording sessions are Julia Kent (Antony and the Johnsons) and Marco Schiavo (Larsen). Elegant digipack + large booklet.” [press release] |
© 2007 Drone Records | | Celler Strasse 33, 28205 Bremen, Germany | Privacy and cookies policy | Impressum / Allgemeine Geschaftsbedingungen / Haftungsausschluss | Links to the scene |