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Label & Cat.Number: Glass Throat Recordings 010
Release Year: 2005
Note: oversized squared cardboad / gatefold cover
Price (incl. 19% VAT): €13.00
More InfoZweites Album vom Projekt um NICOLAS LAMPERT, der eine Hälfte der Monumental-Noise-Droner von NOISEGATE war! Ausgefeilter dark ambient mit
vielen Details und melancholischen Passagen...
“A truly stunning follow up to their debut 2002 "Inside Passage" offering! "Silent Uprising" features five flowing & meditative compositions clocking in at 70+ minutes. A demanding engagement from drifting drone composers Nicolas Lampert & Dave Canterbury. An alchemical mixture of lulling musical melodies & dense cinematic environments. BENEATH THE LAKE embrace a forlorn melancholia of haunting, whispering memories & organic soundscapes. A beautiful album with a distant hope, forged through nature's sadness...
“....Beneath The Lake is a project based on creating soundscapes combining minimal ambient music and found sounds, with an emphasis on composing the music to compliment the sounds instead of just using the sounds as a backdrop. Where their first record focused more on nature, Silent Uprising shifts the focus a bit more toward the increasing influence of the urban landscape as cities continue to encroach on nature and change the balance forever. The record begins with the clatter of trains rushing past, the receding sound of the train is soon joined by a simple strident guitar riff, accompanied by a mournful wooden recorder. The two drift and shift and slowly build in intensity. Very reminiscent of Neurosis at their most mellow, surprisingly enough. The riff shifts and twists, shadowed by the recorders melodies eventually being joined by the sound of another train and eventually being drowned out by the roar of the wheels on the tracks. The second track is a simple, gorgeously melancholy guitar melody, slowly and deliberately picked, over a bed of crackly static that could be either the sound of rain falling or the crackle of a fire, or both. The sound on Silent Uprising is much more musical than on Inside The Passage with the drone being relegated to just one of many instruments / approaches as opposed to the very dark and slow shifting all encompassing drone of the earlier record. Here, it's -that- guitar, all dark and shimmering and reverberant, and the brooding slow building melodies that creep across the sonic landscape. It sometimes almost sounds like the slow core of Low being performed in a steel mill or a rail yard, the band struggling to be heard over the sound of rain and wind and trains and passing cars. Strangely powerful and poignant. Packaged in a gorgeous oversized sleeve with breathtaking images of winter foliage and urban landscapes, printed in all muted browns and tans. So lovely.“ [Aquarius]
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