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KA-SPEL, EDWARD - Victoria Dimension

Format: CD
Label & Cat.Number: Beta-lactam Ring Records mt268
Release Year: 2015
Note: a more song-oriented solo album that reminds on earlier KA-SPEL classics from the 'China Doll' series.. "If Syd Barrett were an 80s Goth he would be Edward Ka-Spel of the Legendary Pink Dots.." [Aural Innovations]
Price (incl. 19% VAT): €14.00
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More Info

"Issued in a bookbound gatefold case and numbered insert via the label or direct from Edward's mail order. D’Archangel rises. And yawns. Wiping the crust from his eyes, he stumbles from his cryogenic coffin and makes his way to the head, the dull thrum of machinery his only companion. Disturbed by the cracked and worn face staring back at him from above the washbasin, he wonders if something went wrong in stasis. Surely there shouldn’t be stubble! No matter, it’ll be good to be back home. Making his way to the cockpit, he spins the dial on the subspace radio, flipping past caterwauling clockwork orchestras ticking off by-the-numbers covers of White Noise and The Incredible String Band. Oldies again! As he fumbles through his 8-track collection, he catches a glimpse of the vast world hovering in the inky blackness beyond the cockpit window, it’s landscape pitted and scorched. A knot forms in his stomach as he punches in his descent pattern. That’s the trouble with these long business trips - you never know what nightmares await you upon your return." [label info]

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"If Syd Barrett were an 80s Goth he would be Edward Ka-Spel of the Legendary Pink Dots. At first the album did not strike me as anything great, but after several spins the album both nods toward the 25 year old Legendary Pink Dots classic LP The Maria Dimension (which is getting a 5LP box treatment from the Soleilmoon label very soon) and 80s Edward Ka-Spel albums like his China Doll series of LPs from the 80s. The vocals are cryptic and dark and gothic, a strange piano, odd finger drums and the intro to the first song called Limburgia has a Indian raga like beat. All the 8 tracks flow like a single sequence of interworked songs, though they are all different and separate tracks. Here we do not have the Noise sculpture and abstract Industrial splatter like on Dream Loops or Ghost Logik from a few years ago, nor the electronic madness of Edward’s Dream Logik trilogy. The third track, The Border Beyond, has ominous police sirens in the distance closing in and leaving again, fading in and out again like a spectre on the “force”. Edward sings very low key. It takes either great concentration to follow his lyrics, or you can do like me, imagine the darkwave ramblings of a 80s Goth Syd Barrett, though as a lyricist Edward and Syd do not share any similarity, just the voice and the beatnik whimsy style. I ordered the double disc Deluxe set and got a second CD with two tracks, one song is etched as vinyl on the CDR and plays perfectly on my turntable while the other song is there next to it as a digital track, and they both share the same side of the disc. Those two tracks are very analogue and Victorian style forms of musics, maybe after a little Opium and Absinthe…

Overall this is a great grower of an album. It will take me a year to fully absorb all its layered and cryptic meaning, but the melody and song and moods are there. Get this CD if you like 80s The Legendary Pink Dots, and the Chyekk / AaAazhyd / Eyes! / Lyvv China Doll Ka-Spel LPs. They have been remastered by BLRR and sound very nice. Let Edward paint your soul Victorian and prepare yourself for a dose of Barretesque Steampunk Darkwave." [Christian Mumford / Aural Innovations]