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CUSACK, PETER & MAX EASTLEY - Day for Night

Format: CD Label & Cat.Number: Paradigm Discs PD 14 Release Year: 2000 Note: based on recordings of MAX EASTLEYs kinetic sculptures and CUSACKSs often bizarre field recordings, this CD collects collaborative compositions from 1975-2000, using sound sources as: aolean harps, ghetto blasters, small cassette machines, broken glas, fire, centriphone, guitars, bouzouki, humming tops, etc. etc.. 9 tracks full of surprising aural landscapes with many changes / cut ups / directions, for the heart of hearing... Price (incl. 19% VAT): €13.50 Warning: Currently we do not have this album in stock! More Info "Over the last 25 years Cusack and Eastley have been gradually adding episodes to the collection of compositions that make up this CD. The foundation of this work consists of location recordings layered with the live or recycled sounds of Eastley's kinetic sculpture. Over the same period that this CD evolved Cusack helped with setting up the LMC, worked for 2 years at Studio Steim in Holland, co-founded Bead Records and released several LP's on this label. His long term musical collaborators have included: Clive Bell, Nic Collins and Viv Corringham, as well as the group Alterations (with Steve Beresford, Terry Day and David Toop). Recent CD's are available on Platelunch, ReR and Resonance. He also frequently works with artists in other fields, including most recently in September 2000, "The Week of Small Miracles", a large scale outdoor project in the Lea Valley area of East London which he curated. Meanwhile Eastley's last 25 years have been spent more in the art gallery than the concert hall, with exhibitions in the UK at The Serpentine Gallery (1976) and The Arnolfini (1980). Overseas installations include The Apollohuis in Holland (1984), the Museum Of Modern Art, Nagoya, Japan and Xebec Hall, Kobe, Japan (both 1994). His most recent exhibits were seen this year as part of Sonic Boom at the Hayward Art Gallery in London. He has also been involved in musical performance, especially the Whirled Music project in the 80s and also ongoing collaborations with David Toop and occasional work with Thomas Köner. He has recorded for many labels including Incus, Quartz and most memorably his 2 releases with David Toop (New and Rediscovered Instruments, originally on Obscure, 1975, and Buried Dreams, on Beyond, 1994). Eastley's work is concerned with creating delicate and elegant kinetic sound devices, either motor driven or animated by environmental forces like the wind, streams or the sea." [label info] www.stalk.net/paradigm/