YEAST CULTURE WITH ACHIM WOLLSCHEID & ALL FOURS — Red Light Remixes
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"The sources for this tape were recorded on the night of May 23, 1998 in Atlanta. That night was the launch of a compilation tape 'Paper & Plastic' by Suitcase Recordings. A false start as it turned out and later released as a 2CD set (see Vital Weekly 731), but on that night Achim Wollscheid installed some clapper's on the door and chairs of the cafe and their was a concert by All Fours, then Eric Blevins and Mark Schomburg (also known as Abo from Yeast Culture). A multitude of taped sounds are now released as a forty-five minute piece of music, recently assembled by Schomburg, allegedly into five pieces, but that was hard to decipher on the tape. This is certainly a strange piece of music (pieces?) with a multitude of sound layers. Let's play all together and create a dialogue from there, is what Yeast Culture's Mark Schomburg must have thought. Doors squeaking, audience noise, faint percussion, loops of cassette sound, all thrown together and it makes a curious sound piece that is
actually pretty enjoyable. Not sure if it would last in interest, but for now a curious release." [FdW/Vital Weekly]
"The sources for this tape were recorded on the night of May 23, 1998 in Atlanta. That night was the launch of a compilation tape 'Paper & Plastic' by Suitcase Recordings. A false start as it turned out and later released as a 2CD set (see Vital Weekly 731), but on that night Achim Wollscheid installed some clapper's on the door and chairs of the cafe and their was a concert by All Fours, then Eric Blevins and Mark Schomburg (also known as Abo from Yeast Culture). A multitude of taped sounds are now released as a forty-five minute piece of music, recently assembled by Schomburg, allegedly into five pieces, but that was hard to decipher on the tape. This is certainly a strange piece of music (pieces?) with a multitude of sound layers. Let's play all together and create a dialogue from there, is what Yeast Culture's Mark Schomburg must have thought. Doors squeaking, audience noise, faint percussion, loops of cassette sound, all thrown together and it makes a curious sound piece that is
actually pretty enjoyable. Not sure if it would last in interest, but for now a curious release." [FdW/Vital Weekly]